Email Newsletter
* indicates required

Categories
Tuesday
Aug242010

How To Save Valuable Time By Switching From Photoshop To Lightroom

 

Lightroom Vs. Photoshop

It's a busy wicked world out there, and the one thing that all of us seem to have little of is time. Time saving solutions are the thing I strive to find the most and switching from photoshop to using Lightroom was a goldmine of saved time. I never imagined that such a simple thing would save me so much time, but it truly did.  Lightroom has been around for a while now, and when I first heard about the software program I was a bit confused as to why someone would choose to use it instead of just using Photoshop.  Both are Adobe programs and both use similar image correcting functions, but Lightroom always seemed to be a "light" version of photoshop, so why bother?

Thankfully, I recently gave Lightroom a second look and my entire digital workflow has changed because of it.  Here are some examples of how Lightroom has saved me valuable time:

File Management and Organization

One of the most profound ways that Lightroom has affected my workflow is in the image download stage.  Before Lightroom, downloading images from my camera to my computer was a task that I loathed.  It took forever because each image had to be downloaded individually and once that was complete selecting which images to keep and how to organized them became an extra time consuming headache.

With Lightroom this task is now efficient, smart, and quick.  First, Lightroom doesn't download ALL of the images on your camera.  It first asks you which images you want to download, even adding a handy feature that allows you to select multiple images at once for really quick selection.

Second, once you select which images to download, Lightroom asks you how you want your files named and where you want to save them.  THIS is where Lightroom saves tons of time.  Lightroom gives you the ability to re-name all of the downloaded files by simply entering in a command BEFORE it downloads the files.  This way, Lightroom automatically re-names ALL of the files as it downloads them (rather than one-by-one).  At this phase Lightroom also allows you to create new folders to place the images inside of.  THIS IS HUGE.  Before Lightroom I would either have to remember to create a new folder within my images folder, or I would simply download all of the images into one folder, waisting tons of time later on when I had to find the image I needed.  Now Lightroom allows you to create a new folder without ever leaving the program and all of the images that you selected and re-named will automatically be saved within this new folder. You can even create folders within folders!

These two features alone have saved me tons of time and headaches yet Lightroom has many more time saving features.

Quick Preview And Collections Further Enhance Image Organization

The other really great thing about Lightroom is that when you begin to edit your images, you don't have to open individual images to see them.  In Lightroom all of your downloaded images appear at the bottom of your screen, in a filmstrip-type of set up.  This way you can quickly look at all of your images without having to individually open them up.  This quick preview also allows fast selection and deletion of top picks or throw-away images, further enhancing the file management system.  Once your top picks have been selected Lightroom makes it simple to create "Collections" which are quick ways of accessing groups of images.  I use collections for every food shoot and name it accordingly, so for a recent lemon curd shoot the collection would be called "lemon curd". Now that I've saved this group of images as a collection, if I ever need to find these images again all I need to do is click on the Lemon Curd collection and my images magically pop up!  A little work up-front saves tons of time in the future!

One other thing about the quick preview---because the images are all visible in the film-strip, editing image is fast and easy.  Edit one image and quickly switch to another in a matter of seconds!  You can even apply all of the corrections from one image to a group of images, making batch-edits a real breeze!

Smart Export Of Final Images

Once all your images have been edited, exporting them from Lightroom is yet another real time saver.  Similar to the camera download phase, exporting the images gives you the options to apply a number of commands upon export like resizing, renaming, sharpening, watermarking (many of you know how I feel about watermarking, but now that it's so easy I might have to start doing it!) and other really helpful commands.  All you have to do is pick your commands and Lightroom will automatically apply them to all your selected images.

I use the image resize the most.  Once all of my images are edited and selected, I tell Lightroom what size to make my final images, I apply a little sharpening, I tell it where to save them, and voila!  All of images are automatically resized in a matter of seconds and I'm ready to add them to my blog.  Before, this task would take much longer because I had to do it manually and individually.

There are many more benefits to using Lightroom but I thought I'd share these three since they are the ones I'm most excited about.  Also, Lightroom is WAY cheaper than Photoshop, so that alone is incentive enough to switch.  I still end up using photoshop for other, more intense pixel manipulation, but that is rare.  Lightroom has now become the center of my workflow, and boy am I glad it is!

Sunday
Aug012010

Understanding The Histogram - The Key To Precise Exposure

 

Often overlooked, the histogram is an essential barometer of proper exposure.  Most often associated with Photoshop, most DSLR camera's also have a histogram built right into the camera which can really help in deciphering whether an image is properly exposed or not.  I've recently made an effort to utilize my on-camera histogram a bit more and as soon as I did, my exposures got much better.  Alhtough the histogram might seem intimidating, it actually is a rather crude and simple device that once mastered, can make a huge difference in your exposures.

Why Use The Histogram?

 If you're shooting with a DSLR and you're relying on your light meter reading and LCD panel to gage your exposure you might be cutting yourself short.  You see, the light meter reading will give you a standardized version of a "proper" exposure.  The problem with this is that DSLR cameras tend to underexpose the highlights, causing images that will eventually need exposure adjustments in photoshop. 

While adjusting exposure in photoshop isn't too difficult a task, this extra adjustment causes the shadow areas of the image to produce noise that can really effect the quality of the image.  The less you muck around with exposure in photoshop, the less noise your image will have.

Adding to this problem is that the LCD monitor of DSLR camera's are rarely calibrated.  This lack of calibration often produces previews that look great on the LCD screen of your camera, yet lackluster on your computer screen.  Just because it looks good on the LCD screen doesn't mean that it's properly exposed.

Lock In Exposure With The Histogram

Most DSLR camera's have a preview option that will allow you to see your image along with a histogram of the exposure.  Grab your camera manual and figure out how to bring up this feature.  Once you figure it out, take a sample picture and read along.

A Histogram is a visual representation of the amount of light, middle, and dark pixels in your photograph. The histogram is shaped like a mountain, the peaks representing the most pixels and the slopes or flat areas representing less pixels.

The left side of the histogram represents the dark pixels and right side represents the light pixels. 

Look at your sample picture and look at your histogram.  Which side has the highest peaks?  Does the mountain start at the left and end at the right?  Does it touch the right side?

A properly exposed histogram will begin at the very left side and end at the very right.  A small amount of peaks should touch the right wall of the histogram in order for your image to be properly exposed.  If the peaks don't reach all the way to the right, open up your aperture or slow down your shutter speed and shoot another pic until the histogram reaches all the way to the right.  Now, the slopes shouldn't be bunched up all the way to the right....the peaks should just start to touch the right wall, like this:

 

 

 

Expose To The Right

The exposure technique described above is refferred to as "Expose To The Right" because you are using your histogram as a guide to help you expose to the highlights which are located on the right hand side of your histogram.  One of the major concerns of this technique is "clipping".  Clipping reffers to information that has been lost due to over or under exposure.  When exposing to the right, the danger is always of overexposing the highlights, therefore "clipping" this information.  Here is an example of a histogram that is clipped:

 

Images from Dan Waters Photography

 

As you can see in the image above, the "lost information" represents pixels that were clipped because they go beyond the right wall of the histogram.  When exposing to the right, adjust your aperture or shutter speed so that the histogram moves to the right.  If the histogram bunches up on the right and pixels start to clip, simply stop down until the histogram re-adjusts to the left and the peaks just barely touch the right wall.

This very simple tool is all you need to make proper exposures.  Just remember to expose to the right, and to not clip your highlights and you'll be on your way to precise and accurate exposures.

Sunday
Jul252010

5 Prop Styling Commandments That Should Never Be Broken

What is Prop Styling?

I've been focusing a lot on prop styling lately because I truly believe it is one of the things most beginning food photographers forget to address.  Prop styling refers to the placement and selection of all non-edible objects within the photograph.  The main objective of prop styling is to give the viewer the impression that the scene as seen in the photograph was FOUND this way. 

Props help to make the food look natural by implying that someone is about to, or has just, eaten the food.  The main point here is that prop styling always suggests the presence of a person and it also tells a story surrounding the food.  Although you don't initially notice the props in the photograph above, they help to tell the story of this person's light filled breakfast.  The plates in the background suggest the presence of more than one person, and the cutlery, plates, and napkin give an air of formality and elegance.  Is this a breakfast or a brunch party?  All of a sudden the photograph reveals more clues and it's meaning evolves. 

This is the power of prop styling.

Below are five commandments that I always follow when working with props.  Hopefully these will help you during your next shoot!

 

Commandment #1 - Always Suggest The Presence Of A Person

This is the goal of all prop styling.  Adding props to the photograph will help to suggest a setting, time, and a place, but most importantly, they will help to suggest the presence of a person.  Cutlery is the easiest prop to use---a fork or spoon will automatically imply a person.  Napkins are the second easiest.  When thinking about how to suggest the presence of a person, just think about all the things you use when having dinner....a plate, a fork, a napkin, a cup or glass.  These are the things you should be adding if you want to really suggest the presence of a person.

 

Commandment #2 - Always Check Prop Placement Through Your Camera's Viewfinder

On a technical level, this commandment is the most important.  You must check the placement of the prop by looking at it through the viewfinder.  I would take this a step further and say that you should add one prop at a time, taking a test shot after each prop is placed, so you can check it's placement.  The last thing you want to do is spend hours styling and adding props to your scene only to realize that the placement looks terrible after looking at it through the camera.

 

Commandment #3 - Always Remove One Prop Before Shooting

This is sort of like the famous jewelry rule, after adding all of your props and checking their placement through the viewfinder, remove one item before starting to shoot.  The idea here is that less is ultimately more, so removing one object will help to simplify the shot.  In reality, you don't need to LITERALLY remove something, but the essence of this commandment is DONT CLUTTER YOUR SHOT.

 

Commandment #4 - Always Think In Layers

When arranging props one of the commandments I always follow is that layering my props will always result in a much more interesting photograph.  Layering the props means adding more than one layer of props to the scene.  For instance, I might add a placemat, on top of which I'll add a small plate, on top of which I'll add a small bowl which my food will ultimately go into.  Get it?

The easiest way to remember this is to double up on plates, or add a napkin or placemat below the bowl, a piece of parchment paper below the cookie, etc. etc.  This layering will add visual interest and begin to tell a story of the scene.

 

Commandment #5 - Always Try Something Else

If you're shooting a scene and the props are not working, always, and I mean ALWAYS, try other props.  When I shoot food I always try a variety of placemats, napkins, and cutlery before deciding on the final props.  Even after I decide, I will usually shoot a second or third set-up using entirely different props just so that I'm assured that I have one good shot. 

This last commandment is really important because it will help you to start thinking of your shoots as "constructions".  I like to think that when I'm shooting food, what I'm really doing is "constructing" a shot.  Spending time with the props, changing them out and shooting new ones is all part of this process.

 

Any other commandments you'd like to add to the list?

Tuesday
Jul132010

Is Your Prop Styling Collection Incomplete? 10 Essential Props Every Food Photographer Should Own

Build Your Prop Styling Arsenal With These 10 Essential Props

Prop styling often gets overlooked when discussing how to construct a succesful food photograph yet it is one of the most important elements.  In my opinion, improving your prop styling is the single most important thing you can do to immediately improve your food photos.  Why, you say?  Because prop styling is the element that brings life to a photograph.  With succesfully styled props, a photograph can tell a story about the person and event being photographed.  Prop styling helps to "humanize" the photo so that it doesn't look like a forensic picture---cold, out of context, and lifeless.  What I like about prop styling is that you really get the sense that someone JUST ate the dish or is ABOUT to dive in....It helps to create drama and give a complete narrative surrounding the dish.

 So what is a prop anyway?  I think of a prop as anything non-edible that will be included in the shot.  This means everything from table tops, to placemats, and cutlery.  It's a good idea to stock up on essential props, which is why I created this list of 10 essential props, this way you can see whether your collection is missing key items.  I often pillage thrift stores and garage sales looking for treasures to make my collection complete.  I'm not sure it ever will be complete, but that's sort of what's fun about it...I can shop and shop, all the while improving my food photos.

Click to read more ...

Monday
Jun282010

Master Depth Of Field And Finally Shoot Food Photos Like A Pro

 

How To Take Control Of Your Camera and Achieve Better Results

Taking control of your camera is an essential skill if you are really serious about becoming a better food photographer.  Understanding the inner workings of aperture, shutter speed, and exposure will make you a better photographer because you will become familiarized with your camera's limitations.  Knowing your camera's limitations is important knowledge when shooting food because there are certain technical choices that can seriously ruin an otherwise perfect photo.....like depth of field for instance!

Depth of Field tends to be one of those things that can be really intimidating when first starting to learn about photography.  My Intro to Digital Photo students consistently tell me that this subject is the most difficult to master.  It can be difficult, I'll admit, but mastering this skill is really one of the most important skills to master if you ever want to shoot like a pro.  Depth of field controls the amount of blur in the background and foreground, which for food photography is ESSENTIAL to making a gorgeous photo, so in this tutorial I'll de-mystify this skill and help you master it once and for all!

Click to read more ...